Playlist: 27th January

The playlist is out now.

Gotye – Somebody That I Used to Know
Moves up to A-list – a massive record.

Coldplay – Charlie Brown
Next single (March) – moves up to B-list.

The Fray – Heartbeats
The lead track from the U.S. band’s 3rd album ‘Scars & Stories’ (out 5th March) is added to our C-list this week.

RadioTalk: Redefining Radio

This week’s RadioTalk is a look back at our  Redefining Radio event. The podcast is presented by Matt Deegan and is a round table discussion on how the internet is transforming radio, especially relating to partnerships, social media, targeted advertising, new platforms and devices and digital strategies.

The podcast has some audio from the Redefining Radio event itself including:

  • Ed Vaizey MP’s opening
    comments, relating to the UK’s digital strategy and the importance of
    radio within that
  • James Wigley’s
    presentation of Absolute Radio’s Instream model
  • Tim Davie’s comments on
    the importance of growth and innovation in the radio industry and what new
    opportunities are on the horizon

Click here for the podcast  

 

 

 

Absolute Radio Digital Digest by Owen Smith

You may have noted that Digital Digest wasn’t uploaded last week, and the reason for this is as follows.  I didn’t write one in protest at the SOPA and PIPA bills which are currently being debated in congress, much like Wikipedia, who blacked out all of their pages in protest against said bills last Wednesday.  Shot themselves in the foot there really, as I’d have usually used Wikipedia to find out exactly what ‘SOPA’ and ‘PIPA’ meant.  I literally had nowhere to turn to find this out.  As such, for all I know Wikipedia was staging a protest against this, and this.  Which is simply put, mental.  There is nothing wrong with good personal hygiene, and a fantastic rear end.  If anything, both of which should be celebrated on Wikipedia.  Or on the internet in general really.  Oh it already has.  Good.

Anyway, the lack of a digest last week meant that I sort of missed the boat on any coverage whatsoever on this year’s Consumer Electronics Exposition.  Which like Ron Burgundy, was kind of a big deal.  The International Consumer Electronics Show (CES) is a major technology-related trade show held each January in the Las Vegas Convention Center, Las Vegas, Nevada, United States. Not open to the public, the Consumer Electronics Association-sponsored show typically hosts previews of products and new product announcements.  Thank you Wikipedia.  I missed you.

Past consumer electronics revealed at CES have included HDTV’s, VCR’s, Tetris, and DVD’s – all staple commodities that we either take for granted, or used to take for granted and simply don’t care about today, so it’s usually a good indicator of what we can expect to see in our living rooms, studies, bedrooms and kitchens in the very near future.  In fact I suppose it’s a bit like Spaceship Earth at Epcot.  That’s right Epcot, the world’s most boring theme park.  Unless, you run into the animals from the 100 Acre Wood.  Anyway, it’s time to take a look at what was on show at this year’s CES…

Personal favourite has got to be the Samsung Smart Window.  Is it a TV?  Is it a window?  Is it a massive tablet?  Is it an elephant?  It’s all of the above!  Apart from an elephant.  I’ll let the chap in this video explain, as by the sound of the strain in his voice, he’s been doing nothing but explain the Smart Window since the beginning of time, and as such nobody could explain it better.  Part TV, part computer, part, well, window, it’s set to revolutionise the domestic domain and block out all natural light for years to come.

If you prefer your television to be of the more traditional variety, then why not take a look at the new LG and Samsung OLED TV’s.  Here’s a video for LG’s offering.  I mean just look at it.  It’s fit.  It’s Rachel Bilson fit.  I don’t know if it’s wrong to fancy a television, but I think I do.  Not only do they look the sex, but they’re 3D ready, and smart.  A bit like going to take Voderman to see Avatar.  I know, I’ve used the Voderman gag before.  But I liked it, and you’re only reading this, I’m the one writing it.  So it stays.  No word on how much the TVs cost, but it’ll be a small fortune.

Finally, because I’m a bit of a geek, and because of their Xbox’s presence at our Redefining Radio event, it’s probably worth mentioning that Kinect is coming to your desktop PC or Laptop very soon.  Just imagine what this means.  Powerpoint is going to be so much fun!  And Excel!  Oh my god Excel, the thought of using your hands and voice to autosum and create pie charts just fills me with a joy only usually found within the first moments of waking up on a Christmas morning.

So thats it for another week, I leave you with this baby (words fail me), the world’s most impressive dog, and my favourite Superbowl commercial of all time.

Same time next week. Woo!

Playlist: 19th January

The playlist is out now.

Bruce Springsteen – We Look After Our Own
Lead track from Bruce’s new studio album ‘WRECKING BALL’ (5th March), which will be the follow-up to 2009’s ‘Working on a Dream’. The Boss plays 4 huge UK shows this Summer, including the Isle of Wight Festival in June and Hard Rock Calling in July.

Gotye – Somebody That I Used to Know
Moves up to DAYTIME… a massive record.

Absolute Radio’s Music Team is recruiting for a Music Producer

 

The Role
The role of the Music Producer is primarily to manage digital services as required from the Absolute Radio network (ARN) and be responsible for on-air output as part of the Music Team. In addition, this role will be responsible for producing programmes across digital stations and provide general support to all areas of the Music department

Responsibilities include
• programming of music on digital services as required on the ARN
• initiating programming ideas and producing ‘themed’ weeks/weekends/ dayparts for digital services as required on the ARN Network
• producing programmes and content for digital services as required in form of music specials, involving setting up interviews, studio producing interview and creating the finished programme for broadcast purposes.
• supervising voicetracking of all shows on digital services as required on the ARN
• providing production and support to all areas of Programming across all networks including festivals, live events and the provision of cover in times of holidays and sickness
• reconciliation of all PRS and PPL reports for the whole ARN
• seeding fan sites and social media networks (Facebook/ Twitter) with information on content on the ARN
• studio producing on air talent

Skills, Experience and Knowledge
• minimum two years of:
• RCS Selector experience (programming and operational ability) – knowledge of G Selector an advantage
• Working with Genesys or similar digital playout system
• digital editing experience
• tech-op experience
• excellent music knowledge across all genres
• have strong relationships throughout the business to facilitate best possible product
• strong ability to supervise and direct on air talent good understanding of the music returns process to PRS and PPL
• experience with on-air presenting an advantage, but not essential

Personal characteristics
• excellent communication skills
• flexible attitude to workload and work day to fit in with needs of Programming Department
• Creative
• Proactive with demonstrable initiative

If you would like to be considered please send a full CV to:
Caroline Hinton – Head of HR, Absolute Radio
One Golden Square, London, W1F 9 DJ
Or e-mail: caroline.hinton@absoluteradio.co.uk
Closing Date: 23 January 2012
Absolute Radio is committed to equality of opportunity for all.
Please indicate your disability on your application. This information is required
so that all who have a disability and meet the minimum criteria for the position
will be invited for interview.